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2007 Studio Tour Artists:
1- Don Barr
2- Brenda Beeley
3- Lori Bernstein
4- Mike Biskup
5- Debra Brochin
6- George Chechopoulos
7- Heather Cole
8- Corvidae Press 
9- Diana Cronin
10- Keidren Devas
11- Kate Dwyer
12- David Eisenhour
13- Frank Eliel
14- Rachel Gaspars
15- Myron Gauger
16- Michael Hamilton
17- Phoebe Huffman
18- Charles Iffland
19- Tom Jay &
  Sara Mall Johani

20- Victor Judd
21- Andrea K. Lawson
22- Tim Lawson
23- Caron McCloud
24- Mary Lynn Maloney
25- Walter Massey
26- Elizabeth Merrill
27- Arliss Newcomb
28- Sandra Offutt
29- Jeryl Parker
30- Jerry & Rayetta Perrett
31- Martha Pfanschmidt
32- Diane Porter-Brown
33- Gunter Reimnitz
34- Seth Rolland
35- Henner Schroder
36- Andrew Sheldon
37- Larissa Spafford
38- Janice Speck
39- Janel Swangstu
40- Don Tiller
41- Elaine Treadwell

7 - Heather Cole

Heather’s Studio
1256 Tremont St.
Port Townsend, WA 98368
Telephone: 360.356.6067
sculpture@heathercole.com
www.heathercole.com

Stone & clay sculpture

Birth
14” x 14” x 20”
Limestone and granite stone carving

Demonstration:
One can see the process of figurative stone sculpture unfolding. They can ask questions about my process and even try pounding on a stone themselves. They can also see me working on a clay sculpture and ask questions about that process also. Then they can view my gallery of finished work.

Directions to studio:
Drive down San Juan from town towards the water. Before the school, turn right onto Tremont. Take the first left onto Pacific and park immediately. Walk down grass alley way until you see small blue shop/house on the right: 1256 Tremont.

Artist statement:
Figurative sculpture, with its focus on the human body, is the language through which I communicate most clearly and deeply. Although I use the traditional mediums of stone and clay, my compositions are contemporary. The para-realistic forms that I discover within the stone seem to fuse otherworldly qualities with our own primitive past. These figures exhibit a surreal beauty that is accented with tribal echoes and shamanistic overtones. Although inspirations come from the beauty I see in others, my compositions are not preconceived, instead I remain ever open to spontaneous choices. I listen carefully to what the stone tells me and with my intellect subdued, my spirit can reach out to freely collaborate and communicate with the spirit that dwells within the stone. It becomes a physical meditation, a source of renewal, as well as an unfolding artwork. This process of reciprocity brings me great satisfaction.